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"Anybody with artistic ambitions is always trying to reconnect with the way they saw thingsas a child"
Tim Burton
Film Projects
MABEL
Role: Writer, Director, and Producer-Feature Film
Programs used: Adobe Premiere Pro, Adobe Audition, Adobe After Effects
Explore the enigmatic village of Mabel, where secrets are buried and relationships shift like shadows. As the peaceful facade is disrupted by an unusual death, Sheriff Carson comes to town with secret motives. The persistent Yolanda is eager to reveal Father Frank's dark secrets, setting the stage for a tangled tale of power, love, and betrayal. Sheriff Manduque becomes entangled in a web of deception orchestrated by the enigmatic Carson, split between burying the town's secrets and discovering the truth. Nearly 20 awards, National and International.
Check out more information about our cast and crew here: https://www.imdb.com/title/tt30333825/
Check out THE RED MOVIE AWARDS INTERVIEW: We won Best Feature Film in the Fall 2023 and were nominated for Best Feature in France https://www.youtube.com/watch?v=YsgsQjya7I0
PAЯALYSIS-Trailer of Immersive Experience
Role: Writer, Director, and Producer
Programs used: Adobe Premiere Pro and Adobe Audition.
Are you afraid of the dark? Immersive experience march 29th and march 30th.
@the_redroom_diary
Adaptation of the script "Paralysis" the Kyle Smith" @kyle.smith.playwright
Actor: @chondeivi is JOY
I'm so happy with all the work and I hope to see everyone there🫁 @universityofkansas @kutheatre
THE LETTER-Short Film
Role: Writer, Director, and Producer
Programs used: Adobe Premiere Pro and Adobe Audition.
The feelings of someone going through a break-up
Actor- Juan David Martinez Zayas
Voice- Ivana Rodriguez
All I see is Red- Official Music Video for Mabel- Ivana Rodriguez
Role: Cinematographer and Song Writer
Programs used: Adobe Premiere Pro and Adobe Audition.
All I See Is Red- Official Music Video for Mabel
Singer-Composer: Ivana Rodriguez
Composer: Agustina Castro
El Individuo-Trailer of Short Film
Role: Writer, Director, and Producer
Programs used: Adobe Premiere Pro and Adobe Audition.
"El individuo" (The individual). A psychological short film that explores the weight of routine and the mental stagnation it can create. When Byron’s obsessive thoughts take hold, a silent figure named Sergio appears—calm, watching, disrupting. The film asks: What happens when we’re so trapped in repetition that a part of us splits off? When the obsession becomes so strong, it manifests into something or someone outside of ourselves? Who is real, then?
MABEL-Trailer of Feature Film
Role: Writer, Director, and Producer
Programs used: Adobe Premiere Pro, Adobe Audition and Adobe After Effects.
Explore the enigmatic village of Mabel, where secrets are buried and relationships shift like shadows. As the peaceful facade is disrupted by an unusual death, Sheriff Carson comes to town with secret motives. The persistent Yolanda is eager to reveal Father Frank's dark secrets, setting the stage for a tangled tale of power, love, and betrayal. Sheriff Manduque becomes entangled in a web of deception orchestrated by the enigmatic Carson, split between burying the town's secrets and discovering the truth.
FAR FROM HOME-Documentary
Role: Writer, Director, and Producer
Programs used: Adobe Premiere Pro and Adobe Audition.
What is it like to travel abroad? Freedom, excitement and the desire to venture to the next destination. But have you ever imagined giving up your whole life for a dream? What if that dream involves living and experiencing a new culture and living for a while in another place? Would you be willing to give it a try?
Desde el cielo_Short Film-
Role: Producer
Programs used: Excel, Word.
A Spanish short film that talks about a grandparent whose dream was to do skydiving. It talks about never losing hope in life and the relationship between father, son, and granddaughter.

Director and cinematographer Role-El Reflejo de mi Espejo
El Reflejo de mi Espejo- Short Film (Documentary)
Role: Director, Cinematographer, Editor, Producer, Writer
Programs used: Adobe Premiere Pro and Adobe Audition
A Spanish short film that talks about the life of a grandmother who can read your past lives.

TRAILER THE RIDE
The Ride- Trailer Short Film (Documentary)
Role: Director, Cinematographer, Editor, Producer, Writer
Programs used: Adobe Premiere Pro and Adobe Audition
A short film (documentary) that talks about the life of two people that seem to be so distant from each other but at the end they are maybe related.
Last Scene of MABEL
Role: Writer, Director, and Producer
Programs used: Adobe Premiere Pro and Adobe Audition.
The final scene of Carmela's inner and outer struggle thus powerfully brings everything into point-the transformation of Carmela into Zulma, the final resolution of the conflict. Her taking the heart of Patrick, the king, and her maintaining his body irreconcilable shows that Carmela is not only destroying him physically but is also erasing his legacy and the love she once had. Dressing his body as herself and leaving a suicide note is a masterstroke of deception, underpinning just how deeply she has become caught up in her own lies and desire for freedom.
The sheriff's words at the end, reminiscent of the beginning of the film, bring it full circle to suggest that these characters' fates were inevitable, perhaps driving home the point that history repeats itself. The overall theme involves the cyclical process of power, betrayal, and identity.
Carmela kills Patrick because of years of abuse and rejection she was subjected to. His rejection of her son, Camilo, situates her in a position of silence and distance, a spectator to her child's maturation with the mistaken belief that he will rise to Patrick's place. In such a context, the sad final outcome of Camilo's life eerily imitates the tragedy of misplaced ambition and harsh outcome that come from living in Patrick's shadow-to try to kill his father and, failing, turn the blade on himself.
That adds a layer of psychological complication to Carmela's envy of Zelma, Patrick's wife. Indeed, infatuated is Carmela with the idea of Zelma that she assumes the name of Zulma, a very symbolic naming wherein she has internalized her obsession with the life she will never have. At the end, Carmela escapes her past by changing identities and faking her own death, but only at the expense of becoming another person altogether.
This scene really establishes how, within this story, there cannot be absolute villains. Every character has so much damage and flaws, driven by personal trauma, ambition, and loss. Such a scenario would keep the audience pondering over the nature of human misery and the ways people are molded—and at times destroyed—by the roles' society forces them to play.
Synopsis of the movie: As the peaceful town is disrupted by an unusual death, Sheriff Manduque becomes entangled in a web of deception orchestrated by the enigmatic Carson, split between burying the town's secrets and discovering the truth.
Pablo's Death from MABEL
Role: Writer, Director, and Producer
Programs used: Adobe Premiere Pro and Adobe Audition.
Paulo's is a story of deep emotional and physical torment, his experience reflecting the cycle of abuse and power dynamic within Patrick's castle. A servant who suffered at Patrick's hands, what tormented Paulo more was witnessing how Patrick treated his wife, Zelma. His clandestine relationship with Zelma might have been the only way he could retrieve some sense of his power in a world where he felt he was nothing. The fact that their escape ended in a disaster, which crashed before they could begin life, alludes metaphorically to Paulo's hope and yearning to fly free, being smashed right before his eyes.
Zelma's escape and eventual capture by Camilo leaves Paulo stranded and lost, both emotionally and physically. This is evidenced by his encounter with another of Patrick's servants in a bar, as he desperately seeks consolation or, better still, a distraction. The fact that he cannot actually go through with the act of sex, screaming Zelma's name mid-moan, pictorially shows how haunted he is by his love for her. It isn't just guilt but an obsession, probably an unresolved longing for a different life he can never have.
The violence and turmoil of Paulo's attempted suicide-to tear out his hair and cut his neck with glass-show just how shattered he has become. This character has been beaten down by a cycle of self-despair over the loss of Zelma, the failure to save her, and the noisy burden of his own impotence. However, his inability to follow through with this suicide is also a further reflection of his complexity; while he hates himself and the situation, he is, in his own words, a coward. It is not so much fear but perhaps those feelings of entrapment and helplessness that have governed his existence.
This moment of attempted self-destruction reveals the emotional chaos within Paulo. Still, it also points to the more excellent theme in this story: psychic damage stemming from power imbalances, betrayal, and lack of fulfillment of desires. Like Carmela's metamorphosis into Zulma, Paulo is a character caught between the past and the future- a victim of circumstance who cannot escape his trauma nor find any peace. The inability to free himself from all his suffering gives a more tragic futility to his character. It again points out how deeply flawed and damaged all the story's characters are.
Synopsis of the film: As the peaceful town is disrupted by an unusual death, Sheriff Manduque becomes entangled in a web of deception orchestrated by the enigmatic Carson, split between burying the town's secrets and discovering the truth.
Father Frank's Death from MABEL
Role: Writer, Director, and Producer
Programs used: Adobe Premiere Pro and Adobe Audition.
Father Frank was a predator, a child abuser, physically, sexually, and verbally. One of his victims was the young Zelma. He heads a small church in a quiet town removed from the domination presented by a nearby castle. Though seeming young-the mask of youth being an illusion personified through the stolen innocence of his victims-he keeps himself veiled under a hood to hide the scars on his forehead and remnants of his childhood abuse.
In this weird marriage of convenience, Father Frank is collaborating with Sheriff Carson, who is really a killer in disguise, having assumed the sheriff's identity after murdering the real Sheriff Manduque. And even further, "Carson" isn't even his name; rather, it was taken up after he had claimed the life of the previous sheriff, drawn to the name that he felt was apt.
As Sheriff Carson becomes more cognizant of the dark secrets Father Frank is keeping within the church, he makes a sinister proposition: Frank must help him, lest his depravity be let out into the open or deadly consequences befall him in person. The demand that Carson makes is chilling in and of itself, as he instructs Frank to kill the children and then burning the church to cover their tracks.
Frank invites the children into a room, under some sort of game, and locks them inside as if it were a joke. He calls out to Pedro, his favorite, to clean the kitchen, just in case he might arrive in time for an escape. He doesn't waste any more time and sets the church on fire. As the fire engulfs him from everywhere, Father Frank succumbs to his demons and drowns his guilt in liquor before deciding to end his life amidst the mayhem he has created.
Synopsis of the movie: As the peaceful town is disrupted by an unusual death, Sheriff Manduque becomes entangled in a web of deception orchestrated by the enigmatic Carson, split between burying the town's secrets and discovering the truth.
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